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Ghashiram Kotwal being performed at Bharat Bhavan,Cultural origins19th century MaharashtraSangeet Natak in literally means. As the name suggests, this form of combines as well as in form of to convey the. In a manner, they are very much similar to.
Sangeet Natakas played a vital role in the development of Marathi theater and thus the as well as. Sangeet Natak start with praise of which is called as Naandi or Mangalaacharan or Suchakpad usually the famous one 'Panchatunda Nararundamaldhar' from Sangeet Shakuntal. They are popular for use of.
The 'Dramatic Music' is called Natya Sangeet, one of the two popular forms of vocal arts in and surrounding states. The other is. Contents.History The beginning is considered the founder of Marathi theater.
In 1843, his group staged the first public performance of Marathi play Seeta Swayamvar (सीता स्वयंवर). The integration of music in the dramas took place quite late in 1879 when and Trilokekar presented his musical play Nal-Damayanti (नल-दमयंती). It was the first musical play on Marathi stage.But only when Balwant Pandurang Kirloskar (popularly known as ) staged his first musical play Shaakuntal, based on play, on October 31, 1880 in did the trend of Sangeet Natak really start. Kirloskar included 209 musical pieces in his Shaakuntal of 7 acts.
They consisted of a mix of and, and lighter music.During its early period, Sangeet natak was dominated by religious plays like Sangeet Saubhdra, which is legend in Marathi sangeet natak. The trend changed with coming of sangeet Manapman, which depicts bravery of its hero Dheryadhar and his love with Bhamini which was written by.Golden age The new trend of Sangeet Natakas caught up with the popularity quite quickly. With then existing in India, Sangeet Natakas were compared with the and thus local Indians found synonymous recreation. In the blooming times, Sangeet Natakas were mainly based on mythological stories of or which would hence easily connect with the masses.
They did not cover the complete epics but were limited to only small stories in them.With popularity & success, experimentation started on stage with abandoning mythological themes and bringing social issues to audiences., for example, by portraying the feelings of a teenage girl to be married to a widower in his late seventies, brought out a social message. Few dramas, like, even agitated the to the extent that they were banned. Kichak Vadh compared the Britishers with Kichak, an evil character from Mahabharata who tried to dishonour. Draupadi was then synonymous with the oppressed common Indian masses.During the 1960s, another turn came in natya sangeet with the emergence of, who was credited with applying simplicity to the complex composition of Natya Sangeet.Plays The recent play Katyar Kaljat Ghusli by Zee studios opened up a new era of musical cinemas. This movie was based on the legendary play bearing the same name.
Dinanath Mangeshkar.List of famous Sangeet Nataks To attract the audiences, many of the Sangeet Nataks used to prefix the word Sangeet before their actual name. Sita Swayamvar. Shaakuntal. Sangeet Saubhadra. Sangeet Maanaapmaan. Matsyagandha.
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Sanyastkhadga. Ramrajyaviyog. Mruchhakatik (1889). Sangeet Sanshaykallol. (1967).
Shapsambhram (1893). (1899).
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Sangeet Swayamvar (1916). Devmaanus.
He Bandha Reshmache. Moruchi Mavshi.
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Mandarmala. Geeta Gati Dnyaneshwar. Suwarnatula. Sangeet Vidyaharan. Ekach Pyaala. Bhavbandhan.
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Madanachi Manjiri. Punya PrabhavSee also.
| Moruchi Mavshi (मोरूची मावशी) | |
|---|---|
| Written by | Pralhad Keshav Atre |
| Characters | Moruchi Mavshi - Moru's aunt who is the Queen of Kanda Sansthan |
| Original language | Marathi |
| Genre | Comedy |
Moruchi Mavshi (Devanagari:मोरूची मावशी) is a Marathi play written by playwright Pralhad Keshav Atre based on the English play Charley's Aunt. The play is a light hearted comedy. It is best known for Vijay Chavan's iconic role in this famous Marathi Stage drama where he regaled in the title role of Moru's aunt.[1]
Synopsis[edit]
Set in the post-Independence era when different sansthans (princely states) of India were being demolished, the play deals with three college friends Moru (Prashant Damle), Bhaiyya (Pradeep Patwardhan) and Bandya (Vijay Chavan). Moru and Bhaiyya are sharing a bungalow they have rented. Moru's aunt, the queen of Kanda Sansthan, is coming visiting. So Moru and Bhaiyya call their girlfriends from their neighborhood to give her company but at the last minute the aunt's visit is cancelled and Bandya, who is playing a female part for a theatre group is coaxed by his two friends to become Moru's aunt. What follows is a fun-filled drama with Bhaiyya's uncle and the girls' uncle proposing to mavshi and the arrival of the real mavshi and her niece who happens to be Bandya's girlfriend.
Style[edit]
Singing and dancing are used here to good effect laced with comedy. The main highlight of the play was 'Tang ting tinga', a song from the play where Chavan is at his best - dancing, jumping, playing games in a sari.
Original cast and crew[edit]
- Prashant Damle : Moru
- Pradeep Patwardhan : Bhaiya
- Vijay Chavan : Moru's aunt, the Queen of Kanda Sansthan
New cast and crew[edit]
After the success of an old 'Moruchi Mavshi' which was released in 1985, Suyog Productions has launched the remake of 'Moruchi Mavshi' with an all new star cast in January 2014. The play is hilarious and ends on a very positive note.[2] Bharat Jadhav is Playing Moruchi Mavshi in the new set. The play started on 26th Jan. 2014.
- Bharat Jadhav : Moru's aunt, the Queen of Kanda Sansthan, Bandya/ Prabhakar
- Ashutosh Gokhale : Moru
- Advait Dadarkar : Bhaiyaji
- Tejshree Sawant : Usha
- Rekha Kambli : Nisha
The other crew is Ashutosh Gokhale, Nagesh Morvekar, Mahesh Kokate, Esha Vadanekar, Malvika Marathe.
The new set production team is as follows:
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- Production : Suyog Productions
- Producer : Sudhir Bhat & Gopal Algeri
- Writer : Acharya Atre
- Director : Mangesh Kadam
- Music Composer : Ashok Patki
- Set Design : Pradeep Mule
- Lights : Kishor Ingle[3]
Film adaptation[edit]
It's the same play which has inspired Govinda's drag act in Aunty No. 1 (1998).[4]
References[edit]
- ^'Moruchi Mavshi is back'. Retrieved 9 April 2013.
- ^'Archived copy'. Archived from the original on 2014-05-05. Retrieved 2014-05-05.CS1 maint: archived copy as title (link)
- ^New set production teamArchived 2014-05-05 at archive.today
- ^'Aunty vs Chachi'. Retrieved 9 April 2013.